That's right, industrial. Specifically, obZen's closing track "Dancers to a Discordant System" sounds to me like some infernal daemon engine chugging along merrily. Tomas Haake's steady-yet-off-kilter groove plods relentlessly forward, a bizarre machine whose steady pace is juxtaposed with the jittery stop-and-start of the dissonant riffing, creating the image of something arcane and on the verge of shaking itself to pieces.
Artsy enough an interpretation for you? Maybe you disagree with my use of the term "industrial" to describe this song, but hopefully you won't argue too much if I also use the term "fucking epic" as I recommend "Dancers to a Discordant System" as your song of the day.
No comments:
Post a Comment