The observant among you (or just the extremely set in the routine among you) may have noticed something missing from your week last week: an album recommendation from yours truly.
Don't worry, I didn't forget about you, and I haven't called it quits with the Album of the Week feature just yet. The last couple of weeks have been a little busier than normal here at Loud Noises HQ, and last week's album just slipped through the cracks. By the time I got my shit together to do one, it was already the weekend, and I figure you deserve the full week to do your homework.
On the other hand, I don't like the idea of just skipping last week, even though that's essentially what we're doing here today, and I'd like to play catch up a little bit, even if it is only symbolic. To that end, I've decided that this week's album pretty much has to be a double album. Is this cheating? Maybe, especially when you consider that the record(s) I've chosen weren't even released simultaneously, but who cares?
So, without further ado, this week you're going to spend some time with one, or preferably both, of Coheed and Cambria's Afterman albums. I've been a fan of Coheed for years, but even if you haven't, I think you'll still appreciate the high calibre of the total Afterman package: poppy, rocking, proggy, songs that span a gamut of styles and moods; some sci-fi concepts woven into the lyrics (but not an inextricable part of them -- no need to find a Coheed wiki to get up to speed on their albums-spanning space opera); hell, even the album artwork is suitably far-out.
As much as the band's sophomore In Keeping Secrets... might still be my favourite record from their catalogue, there's no question that The Afterman, Part I: Ascension and The Afterman, Part II: Descension represent the band's best work in years, and there's also no question that I eagerly look forward to whatever they release next. Give these records some spins this week and I'll bet you'll be clamouring for new Coheed too.
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