Longtime readers will hopefully be aware of my love of The Mars Volta, but they'll also hopefully remember how often I've talked about the fine line between jammed-out space prog and unfocused meandering mess. Your Throwback Thursday song this week rides that line nicely.
To get at said song, we've got to throw it back to 2008's The Bedlam in Goliath, an album that rides that same line a little bit. Previous album Amputechture had a tendency to step over that line, but tempered this with more moments of instrumental brilliance. Follow-up Octahedron was a little too loose and free-form, with too much space for live work and not enough goodness on the record itself.
But Bedlam strikes a better balance, with tracks like "Cavalettas" leading the charge. Conventional song structures and instrumental choices aren't exactly de rigeur, but neither are some of the indulgent, extraneous passages that really weigh down a lot of later Mars Volta stuff. Agree with me? Disagree? Thoughts of any kind? Comment upon it, son!
Showing posts with label The Bedlam in Goliath. Show all posts
Showing posts with label The Bedlam in Goliath. Show all posts
Saturday, 1 August 2015
Tuesday, 4 March 2014
The Mars Volta - Ouroborous
I make no secret of the fact that I think the musical output of The Mars Volta peaked early in the band's career, perhaps even as early as De-Loused in the Comatorium. There's no denying that pretty much anybody who's ever played with the band is a talented musician and performer, but I just feel that the standards of songwriting didn't remain as high as the standards of musicianship.
With each album after sophomore Frances the Mute or so, the songs get less focused, less precise, and more scattershot. It feels to me like the holes in the band's quality control filter got larger and larger each time out, when pretty much every note on De-Loused is so necessary and perfectly placed. Sure, "Tira Me a las Aranas" is a bit of weird throwaway in the middle there, but it still fits with detracting too much.
Of course, even with increasing amounts of these unnecessary bits from one album to the next, every Mars Volta record has some equally shining moments, moments that come close to rebottling the lightning of the band's early work. One such moment is tonight's song, "Ouroborous", from 2008's The Bedlam in Goliath, an energetic blast of salsa rhythm that surges forward like any of the best Mars Volta material. Have a listen a shed a tear for one of the great bands of the 2000's.
With each album after sophomore Frances the Mute or so, the songs get less focused, less precise, and more scattershot. It feels to me like the holes in the band's quality control filter got larger and larger each time out, when pretty much every note on De-Loused is so necessary and perfectly placed. Sure, "Tira Me a las Aranas" is a bit of weird throwaway in the middle there, but it still fits with detracting too much.
Of course, even with increasing amounts of these unnecessary bits from one album to the next, every Mars Volta record has some equally shining moments, moments that come close to rebottling the lightning of the band's early work. One such moment is tonight's song, "Ouroborous", from 2008's The Bedlam in Goliath, an energetic blast of salsa rhythm that surges forward like any of the best Mars Volta material. Have a listen a shed a tear for one of the great bands of the 2000's.
Subscribe to:
Posts (Atom)