Tuesday the 26th: Trivium - Torn Between Scylla and Charybdis

     A while ago I asserted that 2008's Shogun might well be the best album from metalcore veterans Trivium. Today, in an approximation of an alliterative post (it not actually being Tuesday and all...), I give you exhibit B in my case for Shogun as the best Heafy and Company have crafted.

     Last time out it was album opener and bad-assedly titled "Kirisute Gomen", and this time we're just going to proceed the way Trivium intended. "Torn Between Scylla and Charybdis" is another fine example of Trivium's capacity for fleet-fingered and fleet-wristed riffing that's still catchy and singable. That intro/outro combination alone, while being a little cheesy and over-the-top, is reason enough to give this song a chance -- assuming, of course, that you like fun. You do like fun, don't you?

Thursday: Trivium - Kirisute Gomen

     Longtime Trivium fans seem to be somewhat divided on the subject of the band's more recent offerings, and understandably so: their last three albums have, in this writer's humble opinion, been hit or miss, at best. But I think even the most jaded Trivium fan would agree that the band's last great record, and arguably its best, is still 2008's Shogun.

     Personally, I still have a soft spot in my beard for 2005's Ascendancy, both because that was the album that introduced me to Matt Heafy and Company, and because that was back when I was first getting into Metal with a fucking capital M (and yes, I know, purists among you might argue that Trivium is anything but straight-up metal, but whatever). But even I can appreciate the fact that Shogun represents Trivium firing on all cylinders: they took the energy and intensity of Ascendancy and alloyed it with the chops and songwriting skills they honed with 2006's overindulgent The Crusade.

     The result is a collection of tracks that strikes a balance between heavy and melodic, rife with metaphor and symbolism and mythological references, and complete with some tasty riff and leads for the discerning air guitarists out there. Since I like to start at the start, and since its title is a badass phrase from the history of feudal Japan, I'm throwing it back to album-opener "Kirisute Gomen" for your belated Thursday post. Exercise your right to cut and leave and crank this one.

Wednesday: Trivium - Silence in the Snow

     I haven't really gotten excited about a Trivium record in a few album cycles now, so I don't think I can be blamed for being caught off guard by the news that the band has a new record coming out this fall. Lucky for all of us who've been in the dark, Trivium have got a new single to go along with it too.

     Supposedly, the new record's title track "Silence in the Snow" was written during the sessions for 2008's Shogun. Now, to me that sounds a little bit like Matt and Company attempting to pander to their fanbase, but at least the band seems to recognize what lots of people considered their heyday to be. I think I'll just play it safe and reserve judgement as to which era of Trivium's catalogue Silence in the Snow evokes most until I've heard more of the record.

     Any road, for the time being we can all give "Silence in the Snow" a couple of spins. It's a bit more of a mid-tempo radio number, with Matt's big cleans giving things an almost power metal kind of feel. It's probably not going to be a lot of people's cup of tea, but like I said, October is a ways off yet, and this might just be the tip of the iceberg. Let's all just wait and see, shall we?

Monday: Trivium - Forsake Not the Dream

     What's this? A Monday post almost on a Monday? You know it. A "Metal" Monday post even. But why the quotation marks, you ask? I'll tell you, I said.

     I used to be a pretty decent Trivium fan. Ascendancy in particular came out at the perfect time, just when I was getting into heavier and heavier stuff. That album and Shogun are definitely my favourites, and I'll still revisit them periodically. But everything since Shogun has been a little hit or miss, even if you're still into Trivium, which I know a lot of tr00 metalheads aren't.

     I would, however, point out that even that hit-or-miss newer material does occasionally hit, providing songs that, for whatever reason, hook me in just the right way. Your "Metal" Monday song, "Forsake Not the Dream" from 2011's In Waves, is just such a track. I don't know why its radio-friendly, melody-heavy riffs and chord progressions tickle me the way they do, but it's a very Goldilocks-just-right mix of elements. Have a listen, and then commence your scoffing, O tr00est of metalheads.

Song of the Day: Trivium - Into the Mouth of Hell We March

     It's been a long day, so let's unwind with some indulgent thrashcore.