Showing posts with label Salvage Architecture. Show all posts
Showing posts with label Salvage Architecture. Show all posts

Thursday, 10 December 2015

Wednesday: Piano - Expire

     It looks like Tesseract are back in the UK after their North American tour, so what better time to shift gears to another of Dan Tompkins' musical endeavours, international slice of awesome Piano. Last year's Salvage Architecture was another great record under the post-something umbrella, and silly me, I haven't featured a song from it since it came out. Oversight: corrected.

     "Expire" is a high-energy slice of melodic post-hardcore that's imbued with buckets of heart by Dan's vocals and the harmonies and back-ups of his Piano bandmates. There's even hints and flashes of technicality to the frenetic riffing-and-chording that really reminds me of the great screamo-type stuff I listened to in years gone by. I swear, I WILL convince each and every one of you that all those blank-core labels don't have to be dirty words.

(Bonus, Jonas: the link above includes intro-type prelude "Inspire" too -- if you just want "Expire", head to about 2:30 or so and enjoy!)

Sunday, 7 September 2014

Sunday: Piano - Disappearing Ink

     Regular readers (yeah, you two) should know by now (because I keep telling you as much) that I'm a big Dan Tompkins fanboy. You know the guy: the once-and-future frontman for the British djentlemen in Tesseract and the voice behind India's Skyharbor, to name just two of the awesome projects with which Dan's involved.

     Two not enough for you? Require further evidence of Dan's raditude? OK, how about Japan-based post-whatever band Piano? With Dan's formidable vocal help, these guys have been plugging away in relative obscurity for quite some time now, releasing a couple of cool EPs in the last eight or nine years. But now, for whatever reason, the stars have finally aligned and Piano has an LP coming out in a few weeks.

     Being the fanboy that I am, Salvage Architecture would be worth checking out just for Dan's presence on it, but it sure doesn't hurt that this record's shaping up to be exactly my cup of tea. Have a listen to first single "Disappearing Ink" and then join me in rejoicing at the fact that a) there's going to be new Piano material widely available come the seventeenth, and b) it's so goddamned good.