Nashville's Inferi play a brand of fast and furious technical melo-death that's pretty balls-to-the-wall. Take, for example, the song "Destroyer" from their latest album The Path of Apotheosis. Other than a brief choral break to set up some slow(er) jam-style shreddiness, the song's six-plus minutes are mostly taken up by ass-kicking of one of the highest orders. If stuff like The Black Dahlia Murder and Arsis do it for you, Inferi WILL be right up your alley.
Friday 14 February 2014
Inferi - Destroyer
It's Friday, and sure it's Valentine's Day, but maybe you're not interested in romance for whatever reason. Maybe you're just looking for something ugly today, something brutal and savage to wash the taste of all those chocolates and cinnamon hearts out of your mouth. This post, dear reader, is for you.
Nashville's Inferi play a brand of fast and furious technical melo-death that's pretty balls-to-the-wall. Take, for example, the song "Destroyer" from their latest album The Path of Apotheosis. Other than a brief choral break to set up some slow(er) jam-style shreddiness, the song's six-plus minutes are mostly taken up by ass-kicking of one of the highest orders. If stuff like The Black Dahlia Murder and Arsis do it for you, Inferi WILL be right up your alley.
Nashville's Inferi play a brand of fast and furious technical melo-death that's pretty balls-to-the-wall. Take, for example, the song "Destroyer" from their latest album The Path of Apotheosis. Other than a brief choral break to set up some slow(er) jam-style shreddiness, the song's six-plus minutes are mostly taken up by ass-kicking of one of the highest orders. If stuff like The Black Dahlia Murder and Arsis do it for you, Inferi WILL be right up your alley.
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